LDR
|
00105cam
a22001813a
4500
|
020
|
<b>
|a
</b>
0746309511
(pbk.)
|
082
|
<b>
|a
</b>
823.914
R185h
|
130
|
<b>
|a
</b>
British
Council
|
245
|
<b>
|a
</b>
Hanif
Kureishi
/
<b>
|c
</b>
Ruvani
Ranasinha
|
260
|
<b>
|a
</b>
Devon
<b>
|b
</b>
Northcote
House
in
Association
with
the
British
Council,
<b>
|c
</b>
2002
|
300
|
<b>
|a
</b>
x,147
p;
<b>
|c
</b>
22
cm
|
490
|
<b>
|a
</b>
Writers
and
their
work
|
500
|
<b>
|a
</b>
Includes
bibliographical
references
(p.
142-144)
and
index
|
505
|
<b>
|a
</b>
Kureishi's
discovery
of
his
subject
in
his
early
plays:
outskirts,
borderline
and
birds
of
passage
-
the
politics
of
representation:
political
commitment
and
ironic
distance:
my
bearutiful
Laundrette
and
Sammy
and
Rosie
get
laid
-
culture
and
identitiy:
the
Buddha
of
Suburbian
-
muslimophobia:
the
black
album
and
my
son
the
fanatic
-
midlife
crisis
variations
on
a
theme:
love
in
a
blue
time,
intimacy,
sleep
with
me
and
midnight
all
day
|
650
|
<b>
|a
</b>
Kureishi,
Hanif
-
Criticism
and
Interpretation
|
700
|
<b>
|a
</b>
Ranasinha,
Ruvani
|
910
|
<b>
|a
</b>
libsys:recno,31279
|